Group Work
- Set up main light, for Rembrandt, using a small soft box
- Set up an umbrella fill
- Set up two kickers, with grid spots, or barn doors to minimize flare
- Set up background light
Shoot reference shots sequentially, so there is a record of how the setup is built, recording each addition of a new light. Make sure the exposures and respective intensities of the lights are balanced appropriately.
Once the setup is optimized, shoot the following ratios:
Main/Fill
1:1, 1:2, 1:4, 1:16, no fill.
Individual Work:
"Artsy" version. The background must be more than just a convenience—be creative